Description
Book description:
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Author's name: Hosni Sheikh Osman
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Number of pages: 424 pages
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The theme of the book: The right to recite
The contents of the book:
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Calm down
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Introduction
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Why he wrote this book
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Classification of the book
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What makes this book stand out
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Why I collected four novels in the book
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Assets
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A reminder about collecting readings and synthesizing brushes
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Typographical terms used in this book
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Ticket
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A chapter on the fundamentals of teaching tajweed in composition and recitation
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General Principles of Teaching
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Special Principles in Teaching Tajweed of the Qur'an
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Chart of alternatives to arranging modules during instruction
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Introduction to recitation and intonation
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The first module: Definitions and explanations
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Prayer to start reciting the Qur'an
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Bootstrap
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Chapter on the Seven Characters and the Seven Readers
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A chapter on the correct readings and their pillars
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Chapter on reading, narration, the road, the reader, and the reader
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Chapter on Fabrication
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A chapter on the concept of movements: opening, closing, and breaking
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Chapter on Unauthorized Reading Techniques
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Invocation and Bismillah
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Formula for invocation
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Bismillah formula
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Part I: Recognizing Standing and Beginning
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Knowing the stand
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Stopping on syllables
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Ruling on stopping on verse breaks
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Urgent necessity
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Module Two: Moratorium and Initiation
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Cutting, stopping and silencing
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Types of Waqf and their rulings
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Permissible Waqf and its Divisions
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First: Full stop
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II: Endowment
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III: Good endowment
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Invalid Waqf and its Divisions
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Stop arbitrariness
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Module Three: Beginning, Cutting and Interrupting
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Initiation, permissible initiation
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Inadmissible Beginning
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Cutting and interrupting
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Chapter on signs of stopping and some
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Conventions of terminology
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Chapter on Recitation Prostrations
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Module Four: Starting and Stopping a Word
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Beginning with the word "cut" and "join
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Stopping the word
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Stopping at the end of a word
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Chapter on recognizing connecting and cutting symbols
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Stopping on tides (vowels)
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A at the end of a word
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F's at the end of a word
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The y at the end of the word
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Stopping on the T and E: Feminine T
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E metaphor
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Invocation, Bismillah and Surah
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Bismillah between the two suras
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Takbir between the two surahs
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Section II: Intonation of letters
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The truth about words and the limits of pronunciation
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Module Five: Temporal weights and intonation
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Temporal weights (thousandths and movements)
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Rinse
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Important caution about rattles
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Showing the nun on the stressed nun and the stressed mim
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Module Six Characteristics of Original Letters
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Characteristics of letters
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Module Seven: Characteristics of the original letters
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Module VIII: Characteristics of Original Letters
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Module IX: Characteristics of Accidental Letters
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Module Ten: Characteristics of Accidental Letters
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T provisions
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Module Eleven: Characteristics of Accidental Letters
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Masking and flipping
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M provisions
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Module Twelve: Characteristics of Accidental Letters
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Tide and shortening
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The original short or long
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Subtidal tide: Hamz-induced tides
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Stretching due to static
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Important note on the ugliness of stretching the natural tide before a stop or cut
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Housing and stirring
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Silence
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Module Thirteen: Characteristics of Accidental Letters
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Consonant and tanween rules
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Consonant N, Tannuin
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Showing consonant and tween
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Consonant Nun and Tanween
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Module Fourteen: Characteristics of Accidental Letters
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Flip the consonant and tween
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Hide the consonant and tween
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Module XV: Characteristics of Accidental Letters
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Inserting homophones
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Consonant B's
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Consonant T provisions
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Consonant Tha rules
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Consonant D sentences
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Consonant Dhal provisions
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Consonant T provisions
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Convergence of convergences
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L in R, K in K
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Module Sixteen: Supplements
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Provisions of the Seine
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Facilitating the accent
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Words with an obvious melody
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Module XVII: Adhan, Iqamah, Takbeer, Tabbiyah, and Prayer Praises.
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Definition of the Adhan and Iqama and their rulings
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The words of the azan
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Words of Iqama, Tajweed of Adhan and Iqama
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Muezzins most often fall into melody
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Prayer enlargements
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Takbirat al-Eidin
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Meeting the pilgrim
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Prayer rosaries
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Section III: Exits of letters
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Director
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Letter positions
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Original Alphabets
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First position: lips
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Second position: Tongue
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Third position: throat
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Fourth position: Hollow
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Fifth position: gill
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Section IV: History of the Imam's Qur'an and the six rules of drawing in the Qur'an
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Chapter I: History and Drawing of the Imam's Qur'an
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History of the Imam's Quran
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Writing the Qur'an during the Prophet's time
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Collecting the Qur'an during Abu Bakr's reign
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Codification of the Qur'an during the reign of Uthman
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The Imam's Qur'an and the Ottoman Qur'an
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Calligraphy and drawing
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Drawing science
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Chapter II: Drawing Rules in the Imam's Qur'an
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The first rule: On ellipses
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Rule Two: On Increase
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The third rule: In the humming
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Rule four: On commutativity
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Rule five: Connecting and disconnecting
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Rule six: If there are two readings, write on one of them
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Conclusion: On Recitation Etiquette
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A chapter on the recitation of the Qur'an, both outwardly and inwardly
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Ten Heartfelt Manners
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Virtual etiquette
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Prayer for concluding the Quran
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Prayer for those who fear forgetting the Qur'an, please
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Provenance binder
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Index of Drawings and Figures
Also browse:
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A special collection of books The Holy Quran and its sciences
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Marah Labid ” Nawawi Tafsir Al-Manir Tafsir Al-Tafsir Al-Tanzil 1/2 “






